﻿{"id":2403,"date":"2017-03-29T12:13:59","date_gmt":"2017-03-29T11:13:59","guid":{"rendered":"http:\/\/www.fide.festivaldoc.com\/?page_id=2403"},"modified":"2018-01-22T21:26:34","modified_gmt":"2018-01-22T20:26:34","slug":"noi","status":"publish","type":"page","link":"http:\/\/www.fide.festivaldoc.com\/en\/2017-films\/noi\/","title":{"rendered":"NO&#8217;I"},"content":{"rendered":"<p>Pictures, faces and altars. Then machines and gestures. An emotional description of a place that links all its elements together.<\/p>\n<p><em>NO&#8217;I erects the kinetic portrait of a place and its inhabitants, almost seen from a heavy wagon which trajectory is unknown, but which rythm is uncontrollable. The shots are at times symmetrical, at times decentered, bringing a multitude of details, stirring up the curiosity and forming the vision of a microcosm&#160;: objects, bodies and movements, make the culture of this place tangible and perceptible. Pieces of the everyday life, the description of jobs like weaving and sewing, document, but also remind of a cinema &#8220;d&#8217;avant-garde&#8221; like Dziga Vertov&#8217;s work, who was already mixing sewing and editing in a metaphorical association, and presented the train as an allegory of the movement. NO&#8217;I is a fragmented journey, sewn with threads, cables and rails, along which we&#8217;re grazing the intensity of a defeaning and silent, busy and static, world. <\/em><\/p>\n<div class=\"generique\"><a href=\"http:\/\/www.fide.festivaldoc.com\/agenda-2\/\"><strong>SATURDAY 13 MAY \u2022 9:00pm<\/strong><\/a><br \/>\nNO&#8217;I<br \/>\nAline Magrez<br \/>\nBelgium \u2022 2016 \u2022 22\u2019<br \/>\nVO&#160;: no dialog<br \/>\nINSAS&#160;: http:\/\/insas.be\/<br \/>\naline.magrez@insas.be<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Pictures, faces and altars. Then machines and gestures. An emotional description of a place that links all its elements together. NO&#8217;I erects the kinetic portrait of a place and its inhabitants, almost seen from a heavy wagon which trajectory is unknown, but which rythm is uncontrollable. The shots are at times symmetrical, at times decentered,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2632,"parent":2171,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-archives-2017.php","meta":[],"categories":[44],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.5.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NO&#039;I &bull; FID\u00c9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.fide.festivaldoc.com\/en\/2017-films\/noi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NO&#039;I &bull; FID\u00c9\" \/>\n<meta property=\"og:description\" content=\"Pictures, faces and altars. Then machines and gestures. 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