{"id":2447,"date":"2017-03-29T12:34:47","date_gmt":"2017-03-29T11:34:47","guid":{"rendered":"http:\/\/www.fide.festivaldoc.com\/?page_id=2447"},"modified":"2018-01-22T18:57:43","modified_gmt":"2018-01-22T17:57:43","slug":"tous-droits-reserves","status":"publish","type":"page","link":"http:\/\/www.fide.festivaldoc.com\/en\/2017-films\/tous-droits-reserves\/","title":{"rendered":"All rights reserved"},"content":{"rendered":"<p>An Israeli landlady invites her two tenants, directors of the film, to take tea in her living room. Curious, they question her about her house &#8230; without suspecting that their questions will both compromise and make possible the existence of this film.<\/p>\n<p><em>The process in itself is attractive&#160;: something of a cinema that is falsely na\u00efve that is at the end surrounded by maturity. But the movie, full of surprises, would only be clever, if it wasn&#8217;t evoking the anecdote about a very important matter&#160;: the household. The objects, ridiculous, but erected as symbols in a sickening way, turn out to embody the concept of propriety and its limits. A happy and sassy documentary, definitely political, which, like a &#8220;Ceci n&#8217;est pas un film&#8221;, explores the cinema&#8217;s possibilities against every form of censorship and collective amnesia.<\/em><\/p>\n<div class=\"generique\"><a href=\"http:\/\/www.fide.festivaldoc.com\/agenda-2\/\"><strong>WEDNESDAY 10 MAY \u2022 7:30pm <\/strong><\/a><br \/>\nAll rights reserved<br \/>\nFr&#160;: Tous droits r\u00e9serv\u00e9s<br \/>\nOr&#160;: All rights reserved<br \/>\nAnael Resnick, Laila Bettermann<br \/>\nIsrael \u2022 2015 \u2022 12\u2019<br \/>\nVO&#160;: h\u00e9breux \u2022 ST&#160;: Fr, Eng<br \/>\nMinshar School of Art&#160;: http:\/\/www.minshar.org.il\/english<br \/>\nanaelruth@gmail.com<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>An Israeli landlady invites her two tenants, directors of the film, to take tea in her living room. Curious, they question her about her house &#8230; without suspecting that their questions will both compromise and make possible the existence of this film. The process in itself is attractive&#160;: something of a cinema that is falsely&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2640,"parent":2171,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-archives.php","meta":[],"categories":[44],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.5.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>All rights reserved &bull; FID\u00c9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.fide.festivaldoc.com\/2017-films\/tous-droits-reserves\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:fr]Tous droits r\u00e9serv\u00e9s[:en]All rights reserved[:] &bull; FID\u00c9\" \/>\n<meta property=\"og:description\" content=\"An Israeli landlady invites her two tenants, directors of the film, to take tea in her living room. 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