﻿{"id":4946,"date":"2019-04-03T15:22:57","date_gmt":"2019-04-03T14:22:57","guid":{"rendered":"http:\/\/www.fide.festivaldoc.com\/?page_id=4946"},"modified":"2020-05-07T13:34:10","modified_gmt":"2020-05-07T12:34:10","slug":"azadi","status":"publish","type":"page","link":"http:\/\/www.fide.festivaldoc.com\/en\/azadi\/","title":{"rendered":"Azadi"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"http:\/\/www.fide.festivaldoc.com\/fr\/wp-json\/wp\/v2\/pages\/4946\" class=\"qtranxs-available-language-link qtranxs-available-language-link-fr\" title=\"Fran\u00e7ais\">French<\/a>.<\/p><p>La ma\u00eetrise technique du film se soumet enti\u00e8rement \u00e0 son r\u00e9cit, tout en servant id\u00e9alement une description de la situation tragique de certains r\u00e9fugi\u00e9s dans une zone de transit \u00e0 Lesbos (le camp Moria) qui fait office d\u2019un v\u00e9ritable purgatoire. Des moments magistraux ponctuent le film&#160;: un plan de mer immersif en prologue, des t\u00e9moignages de r\u00e9fugi\u00e9s au passif douloureux difficilement imaginable ou de p\u00eacheurs grecs les ayant secourus, des amoncellements de gilets de sauvetage (rappelant les camps de la mort nazis) et d\u2019\u00e9paves, des \u00e9pitaphes (souvent anonymes) dans un cimeti\u00e8re&#8230; Des passages \u00e0 la moralit\u00e9 pouvant \u00eatre discutable de certains intervenants t\u00e9moignent aussi de la complexit\u00e9 g\u00e9opolitique de notre monde (\u00ab&#160;Garde-les tes beaux principes&#160;! Moi, j\u2019en ai pas les moyens&#160;!&#160;\u00bb, dirait un personnage du Mouchard de John Ford)&#160;: un r\u00e9fugi\u00e9 d\u00e9nonce aux autorit\u00e9s d\u2019autres r\u00e9fugi\u00e9s pour les sauver d\u2019une mort certaine, une vieille dame aide les r\u00e9fugi\u00e9s sur son \u00eele dans l\u2019espoir de faire gagner un Prix Nobel \u00e0 la Gr\u00e8ce et contribuer \u00e0 faire sortir son pays d\u2019une crise trop longue&#8230; Ces moments en disent tr\u00e8s long sur la \u00ab&#160;faillite&#160;\u00bb de notre monde technocratique et de sa cruaut\u00e9 born\u00e9e. Pourtant, le v\u00e9ritable enjeu du film repose sur son protagoniste, Gulfam, un \u00ab&#160;v\u00e9t\u00e9ran&#160;\u00bb des douleurs du monde et aux accents hugoliens, que le r\u00e9alisateur tend \u00e0 mythifier afin de mieux nous sensibiliser paradoxalement \u00e0 une r\u00e9alit\u00e9 qu\u2019on ne veut peut-\u00eatre plus voir (pour \u00e9viter de s\u2019y confronter)&#8230; Quand le documentaire utilise un proc\u00e9d\u00e9 de fiction comme le dernier recours \u00e0 notre empathie, notre ancrage au r\u00e9el vacille&#8230; <em>(Derek Woolfenden)<\/em><\/p>\n<div class=\"generique\"><a href=\"http:\/\/www.fide.festivaldoc.com\/agenda\/\"><strong>DIMANCHE 14 AVRIL \u2022 21H30<\/strong><\/a><br \/>\nAZADI<br \/>\nSam Peeters<br \/>\nBelgique, France, Gr\u00e8ce \u2022 2018 \u2022 40\u2019<br \/>\nRoyal Institute for Theatre, Cinema &#038; Sound in Brussels&#160;: <a href=\"www.ritcs.be\/en\/ritcs-school-arts\/\">www.ritcs.be\/en\/ritcs-school-arts\/<\/a><\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in French.La ma\u00eetrise technique du film se soumet enti\u00e8rement \u00e0 son r\u00e9cit, tout en servant id\u00e9alement une description de la situation tragique de certains r\u00e9fugi\u00e9s dans une zone de transit \u00e0 Lesbos (le camp Moria) qui fait office d\u2019un v\u00e9ritable purgatoire. Des moments magistraux ponctuent le film&#160;: un plan&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4947,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-archives-2019.php","meta":[],"categories":[58],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.5.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Azadi &bull; FID\u00c9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.fide.festivaldoc.com\/en\/azadi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Azadi &bull; FID\u00c9\" \/>\n<meta property=\"og:description\" content=\"Sorry, this entry is only available in French.La ma\u00eetrise technique du film se soumet enti\u00e8rement \u00e0 son r\u00e9cit, tout en servant id\u00e9alement une description de la situation tragique de certains r\u00e9fugi\u00e9s dans une zone de transit \u00e0 Lesbos (le camp Moria) qui fait office d\u2019un v\u00e9ritable purgatoire. 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