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{"id":7118,"date":"2021-11-07T13:04:03","date_gmt":"2021-11-07T12:04:03","guid":{"rendered":"http:\/\/www.fide.festivaldoc.com\/?p=7118"},"modified":"2021-11-07T13:04:40","modified_gmt":"2021-11-07T12:04:40","slug":"du-court-toujours","status":"publish","type":"post","link":"http:\/\/www.fide.festivaldoc.com\/en\/du-court-toujours\/","title":{"rendered":"(Fran\u00e7ais) Du court toujours"},"content":{"rendered":"

Sorry, this entry is only available in French<\/a>.<\/p>

CARTE BLANCHE AU FESTIVAL INTERNATIONAL DU DOCUMENTAIRE \u00c9MERGENT (FID\u00c9)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Cr\u00e9\u00e9 en 2008, bas\u00e9 \u00e0 Paris ou en proche banlieue, le FID\u00c9 pr\u00e9sente une riche programmation de courts et moyens-m\u00e9trages documentaires \u2013 audiovisuels et sonores \u2013 provenant d’universit\u00e9s, d’\u00e9coles et d’ateliers, ainsi que de premi\u00e8res \u0153uvres autoproduites du monde entier. Le festival propose \u00e9galement des concerts, des expositions et des rencontres artistiques, dans un espace de convivialit\u00e9 et de r\u00e9flexion ouvert \u00e0 tous\u00b7tes. L’\u00e9quipe du FID\u00c9, compos\u00e9e de professionnel\u00b7les et d’\u00e9tudiant\u00b7es en cin\u00e9ma, s\u2019efforce d\u2019offrir un rayonnement \u00e0 ces \u0153uvres souvent en dehors des circuits habituels. En pause cr\u00e9ative pour 2021, le FID\u00c9 pr\u00e9pare sa treizi\u00e8me \u00e9dition pour avril 2022.<\/p>\n\n\n\n

Pr\u00e9paration de la carte blanche : Babette Dieu, Rapha\u00eblle Irace, Rosalie Lust, Marina Mazzotti, Renata Pires, Eust\u00e1cia Soares<\/p>\n\n\n\n

La D\u00e9testeuse<\/strong>
Faustine Cros – Belgique, 2015, 11\u2019, couleurUn jour, la m\u00e8re de Faustine lui a lanc\u00e9 un couteau. Mais quand, comment, pourquoi \u2013 elle n\u2019en est plus tout \u00e0 fait s\u00fbre\u2026
On parcourt l\u2019entrelacs de mille vid\u00e9os familiales comme on plongerait dans une m\u00e9moire aux souvenirs emm\u00eal\u00e9s. Ces sc\u00e8nes domestiques, sous l\u2019\u0153il du spectateur, deviennent autant de pi\u00e8ces \u00e0 conviction. Que croire, alors, de la sc\u00e8ne traumatique dont on n\u2019a pas d\u2019images ?<\/p>\n\n\n\n

Urban Cowboys<\/strong>
Pawe\u0142 Ziemilski – Pologne, 2016, 29\u2019, couleur\u00c0 Clondalkin, dans la banlieue sinistr\u00e9e de Dublin, les enfants se mettent \u00e0 capturer les chevaux sauvages.
Sans concession, mais non sans empathie, le film montre une violence sociale autant qu\u2019intime, subie et exerc\u00e9e par le jeune protagoniste, pour qui le cheval est \u00e0 la fois un exutoire et un dernier rempart de tendresse. Une r\u00e9flexion sensible int\u00e9grant l\u2019animal au c\u0153ur d\u2019un champ social cens\u00e9 \u00eatre le propre de l\u2019humain.<\/p>\n\n\n\n

Tout de suite les grands mots<\/strong>
Norah Benarrosh-Orsoni – France, 2019, 20\u2019, documentaire sonoreService apr\u00e8s-vente d\u2019un mauvais rencard h\u00e9t\u00e9ro.
Une narration \u00e0 double voix r\u00e9unit la vision des faits des deux protagonistes sur l\u2019exp\u00e9rience de leur rencontre. \u00c0 travers le d\u00e9calage des v\u00e9cus, c\u2019est toute la probl\u00e9matique du consentement qui est, tr\u00e8s justement, mise en perspective.Norma\u2019s colours
Florence Kennard – Royaume-Uni, 2015, 11\u2019, couleur\u00c0 la mort de sa m\u00e8re, Tina h\u00e9rite de son impressionnante collection d\u2019oiseaux m\u00e9caniques, tissus, fleurs en papier, colliers et broches \u2013 autant d\u2019objets ch\u00e9ris par Norma toute sa vie. Mais qu\u2019est-ce qui se cache derri\u00e8re les couleurs de Norma ?
Un dialogue sobre et \u00e9mouvant entre le vivant et l\u2019inerte, l\u2019a\u00e9rien et le min\u00e9ral.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in French<\/a>.<\/p>\n